PAGE FOUR

On September 16th, 2016, TwinBuilder posted this Pastebin.

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: МООНЛИГХТ СОНАТА
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: ОНЕ-ЕИГХТ-ФИВЕ, ТХРЕЕ-ЕИГХТ

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: ЦЕРЕБРАЛ ЦЕРЕМОНИЕС
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: ТWО-СИХ-НИНЕ, ОНЕ-СЕВЕН

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: ДЕСТРОЫЕР
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: ТWО-ЕИГХТ-ФОУР, ОНЕ-ФИВЕ

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: ЛООСЕ ЕНДС
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: ФИВЕ-СЕВЕН, ОНЕ-ТWО-ФОУР

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: ТХЕ WОРЛД ИС БУРНИНГ
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: НИНЕ-СЕВЕН-ЗЕРО, ЕИГХТ-ЗЕРО

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: ЕХТРАДИМЕНСИОНАЛ СУПЕРСТРИНГ СТРАТА
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: СЕВЕН-ЕИГХТ, ФОУР-ТWО

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: ЦЕРЕБРАЛ ЦЕРЕМОНИЕС
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: ТWО-ОНЕ-ТWО, ЕИГХТ-ТХРЕЕ

ОН ТХЕ ПАТХ ОВЕР ТХЕ ПАРЛИАМЕНТ:
ОН ТХЕ ПАТХ ОВЕР МАГЕНТА ПЛАГУЕ:
ОН ТХЕ ПАТХ ОВЕР УНХОЛЫ ШАПЕРС:
ХЕ ФОУНД А СЕРИЕС ОФ НУМЕРАЛС АНД ПХРАСЕС.
ЦОСМИЦ ТХРЕАД ЛИНЕ: СЕВЕН-СЕВЕН
ДАТУМ: ОНЕ ИН ТХЕ МИССИНГ ЕПОЧ
СЕЛЕЦТИОН: ТХЕ WОРЛД ИС БУРНИНГ
СПЕЦИФИЦ ЦАТЕГОРИЦАЛ ПХЕНОМЕНОН ЛОЦАТИОН: ОНЕ-ФОУР-СИХ-ТХРЕЕ, ОНЕ-ТХРЕЕ-СИХ

It was decoded from Cyrillic, into English.

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGENTA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: MOONLIGHT SONATA
SPECIFIC CATEGORICAL PHENOMENON LOCATION: ONE-EIGHT-FIVE, THREE-EIGHT

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGENTA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: CEREBRAL CEREMONIES
SPECIFIC CATEGORICAL PHENOMENON LOCATION: TWO-SIX-NINE, ONE-SEVEN

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGENTA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: DESTROYER
SPECIFIC CATEGORICAL PHENOMENON LOCATION: TWO-EIGHT-FOUR, ONE-FIVE

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGNETA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: LOOSE ENDS
SPECIFIC CATEGORICAL PHENOMENON LOCATION: FIVE-SEVEN, ONE-TWO-FOUR

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGENTA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: THE WORLD IS BURNING
SPECIFIC CATEGORICAL PHENOMENON LOCATION: NINE-SEVEN-ZERO, EIGHT-ZERO

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGENTA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: EHTRADIMENSIONAL SUPERSTRING STRATA
SPECIFIC CATEGORICAL PHENOMENON LOCATION: SEVEN-EIGHT, FOUR-TWO

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGENTA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: CEREBRAL CEREMONIES
SPECIFIC CATEGORICAL PHENOMENON LOCATION: TWO-ONE-TWO, EIGHT-THREE

ON THE PATH OVER THE PARLIAMENT:
ON THE PATH OVER MAGENTA PLAGUE:
ON THE PATH OVER UNHOLY SHAPERS:
HE FOUND A SERIES OF NUMERALS AND PHRASES.
COSMIC THREAD LINE: SEVEN-SEVEN
DATUM: ONE IN THE MISSING EPOCH
SELECTION: THE WORLD IS BURNING
SPECIFIC CATEGORICAL PHENOMENON LOCATION: ONE-FOUR-SIX-THREE, ONE-THREE-SIX

The COSMIC THREAD LINE has to do with an equivalent Destroy the Godmodder thread. However, all characters use the SEVEN-SEVEN THREAD LINE, indicating that they are not from a DTG game at all, but from [7×7], another alternate reality game created by TwinBuilder.

The DATUM is meaningless. All characters use the date ONE IN THE MISSING EPOCH, referencing the fact that [7×7]'s events took place in a singular instant in the timeline of Fiction that felt like an eternity to the one person that remembers it.

The SELECTION has to do with the chapter the relevant character is from.

MOONLIGHT SONATA is chapter 4,
CEREBRAL CEREMONIES is chapter 3,
DESTROYER is chapter 7,
LOOSE ENDS is chapter 2,
THE WORLD IS BURNING is chapter 6,
EXTRADIMENSIONAL SUPERSTRING STRATA is chapter 5,
CEREBRAL CEREMONIES is chapter 3, and
THE WORLD IS BURNING is chapter 6.

The SPECIFIC CATEGORICAL PHENOMENON LOCATION has to do with the line number and the character number. In other words, the relevant letter is on line X of the post (this counts lines that are purely spaces or other line breaks) and is the Y character of said line.

ONE-EIGHT-FIVE, THREE-EIGHT is on line 185, character 38. This character is A.
TWO-SIX-NINE, ONE-SEVEN is on line 269, character 17. This character is V.
TWO-EIGHT-FOUR, ONE-FIVE is on line 284, character 15. This character is X.
FIVE-SEVEN, ONE-TWO-FOUR is on line 57, character 124. This character is H.
NINE-SEVEN-TWO, EIGHT-ZERO is on line 972, character 80. This character is q.
SEVEN-EIGHT, FOUR-TWO is on line 78, character 42. This character is 6.
TWO-ONE-TWO, EIGHT-THREE is on line 212, character 83. This character is 0.
ONE-FOUR-SIX-THREE, ONE-THREE-SIX is on line 1,463, character 136. This character is b.

This makes the complete character string AVXHq60b. Visiting http://pastebin.com/AVXHq60b reveals the second stage.

ИьМ А ЦОМПУТЕР.
ИьМ А ЦОМПУТЕРЫ ГУЫ.
ЕВЕРЫТХИНГ МАДЕ ОУТ ОФ БУТТОНС АНД WИРЕС.
ИьД ЛИКЕ ТО ШОW ЫОУ.
ИНСИДЕ МЫ ДИГИТАЛ ЛИФЕ.
ИНСИДЕ МЫ МИНД ТХЕРЕ ИС А ДИГИТАЛ МИНД.

Ох, тхен маыбе ыоу цан хелп ус ансwер тхесе qуестионс.

ОНЕ: WХАТ ИС ТХЕ БИГГЕСТ ТХИНГ ИН ТХЕ WОРЛД, АНД WХЫ?

ТWО: АРЕ ЫОУ СУРЕ ТХАТ ТХИС WИЛЛ БЕ ЕАСИЕР ТХАН ТХЕ ПРЕВИОУС QУИЗ? АНСWЕР WИТХ А ЫЕС ОР НО.

ТХРЕЕ: НАМЕ ТХЕ БЕИНГ РЕСПОНСИБЛЕ ФОР ТРАНСЛИТЕРАТИНГ ДРЕНОВИАН ИНТО ТХЕ РЕАЛМ ОФ ФИЦТИОН.

ФОУР: WХАТ ИС ТХЕ ТРУЕ НАМЕ ОФ ГОД?

ФИВЕ: ИС ТХЕРЕ А ГЕНЕСИС? ХОW ДО ЫОУ КНОW? ПРОВИДЕ ЕХАМПЛЕС ФРОМ АПОЦРЫПХА.

СИХ: НАМЕ ОНЕ ОФ ТХЕ БЕИНГС ТХАТ ЕХИСТЕД АТ ТХЕ ДАWН ОФ ТИМЕ.

СЕВЕН: WХАТ ИС ТХЕ МОСТ ИМПОРТАНТ ЦОЛОР ИН РЕАЛИТЫ? ТХЕРЕ АРЕ МУЛТИПЛЕ АНСWЕРС. ПИЦК ОНЕ АНД ДЕФЕНД ИТ.

ЕИГХТ: БАСЕД ОН ПРЕВИОУС ЕХПЕРИЕНЦЕС WИТХ ТХЕ СУБСТАНЦЕ, WХАТ ИС ТХЕ ПУРПОСЕ ОФ ТХЕ РЕФИНЕРьС ФИРЕ? WХАТ ИС АНОТХЕР НАМЕ ФОР ТХЕ СУБСТАНЦЕ? WХАТ ДОЕС ИТ ПОWЕР, АНД ХОW ДО ЫОУ КНОW?

НИНЕ: АРЕ ЫОУ WИЛЛИНГ ТО ДИЕ ФОР СОМЕОНЕ ЕЛСЕ ТО ФУЛФИЛЛ ТХЕИР ЛИФЕЛОНГ ДРЕАМ?

ТЕН: WИЛЛ ЫОУ МИСС МЕ?

ЕЛЕВЕН: ИС ИТ ПОССИБЛЕ ФОР W.Д. ГАСТЕР ТО ЕХИСТ ИН АН АЦТУАЛИЗЕД РЕАЛИТЫ? ХОW ДО ЫОУ КНОW? БАСЕ ЫОУР АНСWЕР ОФФ ОФ ЕВИДЕНЦЕ ЫОУ ХАВЕ СЕЕН АЦРОСС ФИЦТИОН.

ТWЕЛВЕ: WХАТ ИС ТХЕ ЧОИР ИНВИСИБЛЕ? ЕХПЛАИН.

БУБВКВСО: ФВРТ ВГ ХЫВ ПМААQА. "ФНХУВБМЫ, ГКИЗ ЫСИКФФСФ ____." "ГВQ МЛВЕ ХИЕ ГНQАЗ ХЫРХ ХАФ ____ ЦИФ ЗСЕВ." "QСАПQА ВГ ХЫВ ____ WУСРРН." "ЙХьЗВ ХЦУ ТБ ММГ РСЛ ____... КЦ УХР ____." "ОН ____ ПХЫЦУ ГФЕ ЗК ВБП." "АЫВБ УХРХМьФ ЛСДВХИИАМ АГКЕЕХС. ЙН ГНМ АХМХЫППРУУWQ. ЗЫВЙГ ХХБ ОБ ВЛ. ____." "ЕЕУ ХВСГ РQХХ ХЫРХ, ____." "ЙьМ Н ЙQФЗЫЙКWОГ ЮЗГАПВЙГ ЦИЫММФТГБ ФБ УХР МИЕЗЕЕКИБН ГКИГ ХЙ Р ЦОЦОЕОВТ, ЕИГИЦВС ЗААПЕИСВОТТ. ЗЕ АРЕЙ ВЙХФЕЗ ОА ФХ WДРЗМ, ИГЫ МКБWКВБДЕ ВЫ И ЗТХКВФ ПФ ПУВWХГКЛФФ АЗУВТ МЛВФФФТВИИЫ ИЛПЙWДИФЗА. В ЛQВЦЗ ТО ОГЛ, ГАИ ЙКСОЦУ ИИАГСК СС ФХЧМФЛИУ НWУХ РБМА МЛВ ДЦТТ РРWДНИЕК, ТМОЕОЛ ЫТРХЛОХЕ. ГНМ БWСИ ДМ ЦОQЕ УНДИЙ ЫОТ МНЙМ ЧИКЙ QСЫ. В НИИХ АФЕ ГQЕПОИЫ ТАРИРТ ФБХ ЛВЛГФМССИАМ ВРП ТЦРQФС ГУ ББНГЫ ДМТЕЫЛ МЕХХЗТОМЛЛ ЦПВЕИ WРФУИАМ. Q ХГЙРЗФМЫ ЦАТИХВЗQС УХР ИWЗИИКЖЙОА ОВ НЛWЫФЗФ ПНММНГХЙ, РБЕ И УГДР КИТВWWЕQ Г ТВЫИКЗАФ БНТ НЕХQ ЛХЗЗ ЦБТБРЛХЙ СМ QРРЫQQХРК ЙВЙТСГКР АМДЙСМФ. ЗЕ ЙЫХСУ ЗГ ООГ ЛQГ МС WЦЧ ТУХWХЗЛ Р ЙШЕЕ, ГВQ ФЦ ЙЗУО ИФ Г ХВВХФХФБПУОК ФРQСФЗ УХНЗ ТБХWВЦМ УРНТАЫТХВЙ ОТ 'ПЫКИФХ ЛЗБС УХРЫМ ЦТРКЙ ИQ ТБ ЗПВЛ КЛПьГ БРЗВQГЛ, ГЫРWО ХВС ББ Т ЙЦФУХИАМ РХМ, ЕЕУ АБКР Г НХВОЗЕУ ФХНШЫХ СЛК ЦГ ТУОА ФХВИП ГБЧ УН ФАМК.' НВФН В РWБД МЕ Р АЙРЕУЗ, ____."

ШЫИКСФН: ЙНГ НКИ КЫС ДУЕЫМФ ХЙ КЫС ПРQКЗ ФРQСФЗТ ОС УЙФВЫИВ ДВНПЗЦНММФЕ?

ТЙФГКМА: ПЛРК WТ ИГ?

It was decoded from Cyrillic, into English.

I’M A COMPUTER.
I’M A COMPUTERY GUY.
EVERYTHING MADE OUT OF BUTTONS AND WIRES.
I’D LIKE TO SHOW YOU.
INSIDE MY DIGITAL LIFE.
INSIDE MY MIND THERE IS A DIGITAL MIND.

Oh, then maybe you can help us answer these questions.

ONE: WHAT IS THE BIGGEST THING IN THE WORLD, AND WHY?

TWO: ARE YOU SURE THAT THIS WILL BE EASIER THAN THE PREVIOUS QUIZ? ANSWER WITH A YES OR NO.

THREE: NAME THE BEING RESPONSIBLE FOR TRANSLITERATING DRENOVIAN INTO THE REALM OF FICTION.

FOUR: WHAT IS THE TRUE NAME OF GOD?

FIVE: IS THERE A GENESIS? HOW DO YOU KNOW? PROVIDE EXAMPLES FROM APOCRYPHA.

SIX: NAME ONE OF THE BEINGS THAT EXISTED AT THE DAWN OF TIME.

SEVEN: WHAT IS THE MOST IMPORTANT COLOR IN REALITY? THERE ARE MULTIPLE ANSWERS. PICK ONE AND DEFEND IT.

EIGHT: BASED ON PREVIOUS EXPERIENCES WITH THE SUBSTANCE, WHAT IS THE PURPOSE OF THE REFINER’S FIRE? WHAT IS ANOTHER NAME FOR THE SUBSTANCE? WHAT DOES IT POWER, AND HOW DO YOU KNOW?

NINE: ARE YOU WILLING TO DIE FOR SOMEONE ELSE TO FULFILL THEIR LIFELONG DREAM?

TEN: WILL YOU MISS ME?

ELEVEN: IS IT POSSIBLE FOR W.D. GASTER TO EXIST IN AN ACTUALIZED REALITY? HOW DO YOU KNOW? BASE YOUR ANSWER OFF OF EVIDENCE YOU HAVE SEEN ACROSS FICTION.

TWELVE: WHAT IS THE CHOIR INVISIBLE? EXPLAIN.

((Questions thirteen through fifteen were encrypted via the Vigenere key INTERROBANG, which showed that they were the hardest questions to answer.))

THIRTEEN: FILL IN THE BLANKS. "SUDDENLY, TEAM FORTRESS ____." "AND THEN THE THING THAT WAS ____ WAS GONE." "CRACKS IN THE ____ ITSELF." "WE’VE GOT TO GET YOU ____... TO THE ____." "IF ____ COULD SEE ME NOW." "WHEN THERE’S SOMETHING STRANGE. IN THE NEIGHBORHOOD. GUESS WHO IT IS. ____." "AND JUST LIKE THAT, ____." "I'M A DISGUSTING WORTHLESS BILGESACK ON THE GARGANTUAN TEAT OF A LABORING, LEPROUS MUSCLEBEAST. MY SELF ESTEEM IS SO SMALL, ITS EXISTENCE IS A MATTER OF CONJECTURE AMONG THEORETICAL PHYSICISTS. I SMELL SO BAD, THE STENCH CANNOT BE EXPRESSED WITH EVEN THE MOST ELOQUENT, FLORID LANGUAGE. THE ODOR MY BODY MAKES HAS MADE POETS CRY. I HAVE WON SPECIAL AWARDS FOR DISCOVERING NEW PLACES TO TOUCH MYSELF EROTICALLY WHILE FARTING. I UNFAIRLY PULVERIZE THE COMPETITION IN ASSHOLE PAGEANTS, AND I HAVE RECEIVED A LIFETIME BAN FROM UGLY CONTESTS BY PRESIDENT SHITFACE HIMSELF. MY BLOOD IS NOT FIT TO FLOW THROUGH A SEWER, AND MY SIGN IS A PICTOGRAPHIC SYMBOL THAT LOOSELY TRANSLATES AS 'PLEASE HIKE THESE PANTS UP TO THIS GUY'S ARMPITS, CHAIN HIM TO A FLOGGING JUT, AND MAKE A FUCKING EXAMPLE OUT OF THIS SORRY SACK OF SHIT.' WHEN I LOOK IN A MIRROR, ____."

FOURTEEN: WHY ARE THE CURSES OF THE ORDER SYMBOLS OF OBSCURE PUNCTUATION?

FIFTEEN: WHAT IS IT?

The opening message is a reference to Don’t Hug Me I’m Scared 4. Each question has a specific answer. Only when all thirteen questions were fully answered could the game progress. The correct answers are:

ONE. THE INTERNET/A PLOT HOLE. As was explained in Don’t Hug Me I’m Scared 4, and to a greater extent in the Probect Pinary ARG’s /imscared 4 command, the Internet links the entire digital reality of Fiction together. In addition, a plot hole is said to link two completely separate planes of reality together. Because such objects would require a massive size to connect such continuums, they are "the biggest things in the world."
TWO. NO. Self-explanatory.
THREE. KALARE VANARUS ERELYE. TheLordErelye created the language of Drenovian for use in his own text adventure, Abyssal Oddity. As such, he transcribed it into the realm of Fiction through cultural osmosis into parts of Destroy the Godmodder.
FOUR. I. As explained in the webcomic Kill Six Billion Demons, "I" is the true name of God.
FIVE. NO. The chief deity of Kill Six Billion Demons, YISUN, speaks the first-ever words of the comic, which come from his scripture. “Let there be no Genesis, for beginnings are false, and I am a consummate liar.” The example provided will invariably be said quote.
SIX. THE SECRET OF THE VOID, BRINE, OTHERS. The Secret of the Void is listed as the first non-plot entity in Fiction, and Brine (the Red Dragon) comprised one of Fiction’s oldest universes before it became Minecraftia. Therefore, those two are the two biggest candidates for the oldest beings in Fiction.
SEVEN. GREEN, SCARLET, GOLDENROD, COBALT, ORCHID, and KALEIDOSCOPE. Green is associated with First Guardians, the Green Sun, Minecraftia, code, and Don’t Hug Me I’m Scared. Scarlet is associated with the Red Sun and Red Sun Guardians, TwinBuilder’s Sunglasses, The_Nonexistent_Tazz, and UserZero. Goldenrod is associated with the Godmodder. Cobalt is associated with Alpha and the Psi-Godmodder. Orchid is associated with The_Serpent, Project Binary, the Employer, Binary Prime, and the Conflict in a broader sense. Kaleidoscope is associated with the kaleidoscopic anarchy of [7×7].
EIGHT. ...This question was never actually answered. Interesting.
NINE. NO. Self-explanatory.
TEN. YES. Self-explanatory.
ELEVEN. insert_generic_username gave a response on the subject: “Yes, we shot at him that one time as Jeff. Also he had existed at some point in Undertale, and depending on your Fun value you see pieces of him.
TWELVE. insert_generic_username gave a response on the subject: “The choir invisible is typically just a euphemism for everyone in heaven.”
THIRTEEN. “TWENTY,” “THE OPERATOR,” “DISC OF MOJANG,” “BACK, FUTURE,” “ICARUS,” “GHOST NAPPA,” “IT WAS OVER,” “MY REFLECTION SLOWLY SHAKES HIS HEAD WHILE I WET MYSELF IN SHAME.” The first quote was said by engie_ninja during Destroy the Godmodder 1. The second quote was said twice, once when the Virus was killed in Act 2 of Destroy the Godmodder 2, and again when the Operator was killed in the game's epilogue. The third quote was said in the ramblings of the Herobrine-possessed Testificate of Kyoto, discovered in Trial 4 of Destroy the Godmodder 2 and elaborated upon in Destroy the Godmodder 0rigins by the Scribe. The fourth quote is the title drop of Back to the Future. The fifth quote was written in Journal 3. The seventh quote was said in Dragon Ball Z Abridged: Episode 10. The eighth quote was said in The Binding of Isaac: Rebirth’s first ending. The ninth quote was said in Homestuck by Karkat during the Scratch Intermission of Act 5 Act 2 to Jade.
FOURTEEN. TRICK QUESTION; THERE IS NO REASON. Or is there? .
FIFTEEN. IT’S THE NUTSHACK.

Once all fifteen questions were answered, TwinBuilder posted a link. Visiting it reveals the final stage.

Ох, хоw ехцитинг, анд интерестинг, тоо.
Бут ин тхис дигитал wорлд, wхат цан wе до?
...
Wхат цан wе--
ХЕЫ, ГРЕАТ QУЕСТИОН. WЕЛЛ, ИТьС УП ТО ЫОУ.
ИН ТХЕ ДИГИТАЛ WОРЛД, ТХЕРЕьС ОНЛЫ ТХРЕЕ ТХИНГС ТО ДО!

------------------------------------------------------

Wow, look, a pie chart! - I

DAILY ACTIVITIES

43% PLAYING VIDEO GAMES
23% CONSUMING NUTRIENTS
2% DOING NOTHING OF ANY SUBSTANCE
32% PRAYING TO FALSE IDOLS
443% TRYING TO FIND THE GATE
3% DOING SOMETHING OF ANY SUBSTANCE
11% DYING
5% CRAWLING IN MY CRAWL
4% PRAYING TO ACTUAL IDOLS
444% FOUR FOUR FOUR
15% CALCULATING THESE PERCENTAGES
42% FINDING QUESTIONS TO ANSWERS
24% FINDING ANSWERS TO QUESTIONS
431% CRYING HYSTERICALLY OVER MISTYPED ARC NUMBERS
5% EXISTING IN A PARALLEL DIMENSION

44232443311544441542244315

Digital style! - IV

uuu..__
 $$$b  `---.__
  "$$b        `--.                          ___.---uuuuU
   `$$b           `.__.------.__     __.---'      $$$$"              .
     "$b          -'            `-.-'            $$$"              .'|
       ".                                       d$"             _.'  |
         `.   /                              ..."             .'     |
           `./                           ..::-'            _.'       |
            /                         .:::-'            .-'         .'
           :                          ::''\          _.'            |
          .' .-.             .-.           `.      .'               |
          : /'$$|           .@"$\           `.   .'              _.-'
         .'|$$$$|          |$$,$$|           |  <            _.-'
         | `:$$:'          :$$$$$:           `.  `.       .-'
         :                  `"--'             |    `-.     \
        :##.       ==             .###.       `.      `.    `\
        |##:                      :#r#:        |        >     >
        |#'     `..'`..'          `###'        x:      /     /
         \                                   xXX|     /    ./
          \                                xXXX'|    /   ./
          /`-.                                  `.  /   /
         :    `-  ...........,                   | /  .'
         |         ``:::::::'       .            |<    `.
         |             ```          |           x| \ `.:``.
         |                         .'    /'   xXX|  `:`M`M':.
         |    |                    ;    /:' xXXX'|  -'MMMMM:'
         `.  .'                   :    /:'       |-'MMMM.-'
          |  |                   .'   /'        .'MMM.-'
          `'`'                   :  ,'          |MMM<
            |                     `'            |MMMM\
             \                                  :MM.-'
              \                 |              .''
               \.               `.            /
                /     .:::::::.. :           /
               |     .:::::::::::`.         /
               |   .:::------------\       /
              /   .''               >::'  /
              `',:                 :    .'

AND DO A DIGITAL DAПCING, HEY THIS IS FUN! - III

Wow, look, a bar graph! - VI

|--
|1 |
|--
|--------
|4        |
|--------
|----
|2   |
|----

Digital style! - VII

http://s9379.storage.proboards.com/6489379/a/WaZ00apu0ZGFXSo7I04d.PNG

AND DU+0057 A DIGITAL DANCING, HEY THIS IS FUN! - V

Wow, look, nothing! - II

Each of the seven parts is solved in an obtuse way, and contains a character for the final string. The roman numerals next to each part indicate in what order the characters must be placed into the URL.

Wow, look, a pie chart! – I contains many percentages that are all gathered into a string of numerals at the bottom, “44232443311544441542244315.” Converting the 1s to As, 2s to Bs, 3s to Cs, 4s to Ds, and 5s to Es and decoding the message via Polybius square with the grid “ABCDEFGHIKLMNOPQRSTUVWXYZ” reveals the phrase “theletterisE.”
Digital style! – IV contains an ASCII image of Pikachu. There is a single ‘r’ located in Pikachu’s left cheek.
AND DO A DIGITAL DAПCING, HEY THIS IS FUN! – III contains a Cyrillic letter, ‘П,’ in place of ‘N.’ The letter translates to ‘p.’
Wow, look, a bar graph! – VI contains three bar graphs labelled 1, 4, and 2. 1 + 4 + 2 = 7. Decoding 7 using A1Z26 yields ‘G.’
Digital style! – VII contains an image link to the avatar of ‘o,’ a user on the Omegaupdate Forums known for creating Cool and New Web Comic.
AND DU+0057 A DIGITAL DANCING, HEY THIS IS FUN! – V contains a Unicode string, ‘U+0057.’ U+0057 is a ‘W.’
Wow, look, nothing! – II contains, true to its words, nothing. The closest character to ‘nothing’ in a URL is ‘0.’

When the characters are placed in order, this creates the complete character string e0prWgo. Visiting https://i.imgur.com/e0prWgo.png reveals the fourth page. It depicts large curtains held in place by a metal frame and a series of gears and machinery that is opening, revealing some kind of light. The page is also taken up by a column of clouds that have punctuation inside them. The encoded text is “LIKE A SENTRY I WALKED FORWARDS, ENTERING THE FINAL STAGE.”

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